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A Body for Harnasie
A Body for Harnasie
2024
Company
Company Wayne McGregor
Direction and Choreography
Wayne McGregor
Sculpture Design, Film Creation and AI Development
Ben Cullen Williams
Principal Conductor
Edward Gardner
Music
Karol Szymanowski
Original Dance
Company Wayne McGregor
Sculpture
Technical design: Rob Ashworth
Fabrication: Fabrication Facility
Structural Engineer: CCS-Consulting
Motor Design: Wahlberg Motion Design
Film
Additional AI generation, Creative Technologist: Bryce Cronkite-Ratcliff
Drone Footage, Camera Operator: Oliver Wheeldon
Live action Dance, DOP: Ricky Patel
Live action Dance, Focus Puller: Anıl Duru
Live action Dance, Gaffer: Arthur Miller
CGI and MOCAP, Animator: Yibing He
Premiere dates and venues
26 February 2024, Polish National Radio Symphony Orchestra, NOSPR, Katowice, Poland
6 March 2024, London Philharmonic Orchestra, Royal Festival Hall, London, UK
The Polish National Radio Symphony Orchestra and London Philharmonic Orchestra collaborates with choreographer Wayne McGregor CBE and visual artist Ben Cullen Williams to create a reimagined concert production of Szymanowski’s ballet score Harnasie called A Body for Harnasie.
The
project sees McGregor use digitally enhanced choreographic
storytelling with technological interventions and visuals by Williams.
Through the use of human and digital intelligence, a sculptural video
installation is suspended above the orchestra on the stage,
reimagining how dance can be created and experienced.
To create A Body for Harnasie, McGregor experiments with
the fundamentals of dance, combining live dance with new photographic
and film material of the Tatra mountains – where Szymanowski’s Harnasie is
set – alongside an emergent AI trained on hours of mountain footage
which is accompanied by scans of the mountains that are mixed with
motion data from the dances. The work has originated from an analogue
live dance, featuring a trio for two males and a female referencing
the original protagonists from Szymanowski’s work. The end result is a fusion of creative action created through artificial and human
intelligence, blurring the boundaries of what is reality and what is
artificial.
“A Body for Harnasie attempts to re-frame
Szymanowski’s epic musical work for our times, to create a choreographic
object that redefines dance in the concert hall with a physical kinetic
sculpture in constant transformation through motion and artificial
intelligence. Through this project, the traditional conventions of what
is dance and what is space collapses as a new continuum of time emerges.
What is ‘real’ and what is ‘fake’ blurs. Dance, landscape, and AI blend
seamlessly. We hope Szymanowski would have been thrilled and somewhat
surprised!” Read McGregor's full programme essay here.
A Body for Harnasie is an original co-production of NOSPR The Polish National Radio Symphony Orchestra in Katowice (initiator), London Philharmonic Orchestra (with support from the Adam Mickiewicz Institute), conceived and produced by Studio Wayne McGregor, co-financed by the Ministry of Culture and National Heritage of the Republic of Poland. Project partner: Concertgebouw Brugge.
Image: Ben Cullen Williams.
Video: Ben Cullen Williams and Ricky Patel.